SHOGYŌ MUJŌ — “The Impermanence of All Things”EAST INTERSECTS WEST 601
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¥3,846
Sale price
¥3,846
Regular price
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SHOGYŌ MUJŌ — “The Impermanence of All Things”
This design is based on a reinterpretation of a historical Coptic limestone cross dating from approximately the 4th to 8th century CE.
Rather than reproducing the original artifact directly, the form of the cross has been reconstructed into a balanced equal-armed geometry, emphasizing symmetry, sacred proportion, and spiritual equilibrium. Through this transformation, the symbolic essence of the original Coptic object is preserved while translated into a contemporary minimalist visual language.
The historical origins of the cross lie within the highly syncretic culture of Late Antique Egypt, where Egyptian, Greek, Roman, and early Christian traditions intersected. During this period, Alexandria served as one of the intellectual and spiritual centers of the Mediterranean world, where philosophy, mysticism, theology, and science coexisted and influenced one another.
The spiral motifs carved into the cross are believed to represent stylized grapevines — symbols associated in early Christianity with mystical union, spiritual abundance, and the Eucharist. The radiating forms extending outward from the central floral or solar motif suggest divine illumination and the expansion of sacred order into the cosmos.
The equal-armed structure also evokes ancient cosmological symbolism related to the four cardinal directions and intermediary points, concepts shared across Hermetic, Greco-Roman, and numerous mystical traditions.
This ancient symbolic system is paired with the Japanese Buddhist concept “Shogyō Mujō” (諸行無常), commonly translated as:
“All conditioned things are impermanent.”
A foundational idea within Buddhist philosophy, the phrase expresses the understanding that all forms, phenomena, and experiences exist in a constant state of transformation and eventual disappearance.
Although separated by geography and theology, both Coptic spirituality and Japanese philosophical traditions contemplate transience, mortality, eternity, and the search for transcendence beyond material existence.
By combining these visual and philosophical systems, the work explores a contemporary dialogue between archaeology, sacred geometry, and Eastern thought.
Not merely an ornament, but a meditation on impermanence, memory, and the continuity of spiritual expression across civilizations.
You've now found the staple t-shirt of your wardrobe. It's made of 100% ring-spun cotton and is soft and comfy. The double stitching on the neckline and sleeves add more durability to what is sure to be a favorite!
• 100% ring-spun cotton
• Sport Grey is 90% ring-spun cotton, 10% polyester
• All Heather colors are 65% polyester, 35% cotton
• 4.5 oz/yd² (153 g/m²)
• Shoulder-to-shoulder taping
• Quarter-turned to avoid crease down the center
• Blank product sourced from Bangladesh, Nicaragua, Honduras, Dominican Republic, Haiti or Guatemala
Disclaimer: Due to the fabric properties, the White color variant may appear off-white rather than bright white.
This product is made especially for you as soon as you place an order, which is why it takes us a bit longer to deliver it to you. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making thoughtful purchasing decisions!
Age restrictions: For adults
EU Warranty: 2 years
Other compliance information: Meets the flammability, lead, cadmium, phthalates and formaldehyde level requirements.
In compliance with the General Product Safety Regulation (GPSR), Oak inc. and SINDEN VENTURES LIMITED ensure that all consumer products offered are safe and meet EU standards. For any product safety related inquiries or concerns, please contact our EU representative at gpsr@sindenventures.com. You can also write to us at 123 Main Street, Anytown, Country or Markou Evgenikou 11, Mesa Geitonia, 4002, Limassol, Cyprus.
SHOGYŌ MUJŌ — “The Impermanence of All Things”EAST INTERSECTS WEST 601
¥3,846
Sale price
¥3,846
Regular price
This design is based on a reinterpretation of a historical Coptic limestone cross dating from approximately the 4th to 8th century CE.
Rather than reproducing the original artifact directly, the form of the cross has been reconstructed into a balanced equal-armed geometry, emphasizing symmetry, sacred proportion, and spiritual equilibrium. Through this transformation, the symbolic essence of the original Coptic object is preserved while translated into a contemporary minimalist visual language.
The historical origins of the cross lie within the highly syncretic culture of Late Antique Egypt, where Egyptian, Greek, Roman, and early Christian traditions intersected. During this period, Alexandria served as one of the intellectual and spiritual centers of the Mediterranean world, where philosophy, mysticism, theology, and science coexisted and influenced one another.
The spiral motifs carved into the cross are believed to represent stylized grapevines — symbols associated in early Christianity with mystical union, spiritual abundance, and the Eucharist. The radiating forms extending outward from the central floral or solar motif suggest divine illumination and the expansion of sacred order into the cosmos.
The equal-armed structure also evokes ancient cosmological symbolism related to the four cardinal directions and intermediary points, concepts shared across Hermetic, Greco-Roman, and numerous mystical traditions.
This ancient symbolic system is paired with the Japanese Buddhist concept “Shogyō Mujō” (諸行無常), commonly translated as:
“All conditioned things are impermanent.”
A foundational idea within Buddhist philosophy, the phrase expresses the understanding that all forms, phenomena, and experiences exist in a constant state of transformation and eventual disappearance.
Although separated by geography and theology, both Coptic spirituality and Japanese philosophical traditions contemplate transience, mortality, eternity, and the search for transcendence beyond material existence.
By combining these visual and philosophical systems, the work explores a contemporary dialogue between archaeology, sacred geometry, and Eastern thought.
Not merely an ornament, but a meditation on impermanence, memory, and the continuity of spiritual expression across civilizations.
You've now found the staple t-shirt of your wardrobe. It's made of 100% ring-spun cotton and is soft and comfy. The double stitching on the neckline and sleeves add more durability to what is sure to be a favorite!
• 100% ring-spun cotton
• Sport Grey is 90% ring-spun cotton, 10% polyester
• All Heather colors are 65% polyester, 35% cotton
• 4.5 oz/yd² (153 g/m²)
• Shoulder-to-shoulder taping
• Quarter-turned to avoid crease down the center
• Blank product sourced from Bangladesh, Nicaragua, Honduras, Dominican Republic, Haiti or Guatemala
Disclaimer: Due to the fabric properties, the White color variant may appear off-white rather than bright white.
This product is made especially for you as soon as you place an order, which is why it takes us a bit longer to deliver it to you. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making thoughtful purchasing decisions!
Age restrictions: For adults
EU Warranty: 2 years
Other compliance information: Meets the flammability, lead, cadmium, phthalates and formaldehyde level requirements.
In compliance with the General Product Safety Regulation (GPSR), Oak inc. and SINDEN VENTURES LIMITED ensure that all consumer products offered are safe and meet EU standards. For any product safety related inquiries or concerns, please contact our EU representative at gpsr@sindenventures.com. You can also write to us at 123 Main Street, Anytown, Country or Markou Evgenikou 11, Mesa Geitonia, 4002, Limassol, Cyprus.